Showing posts with label Schminke Translucent Brown.. Show all posts
Showing posts with label Schminke Translucent Brown.. Show all posts

Monday, 19 August 2013

Beaver Tail before & after

When I posted Beaver Tail a comment by Ray was that the finished painting had lost something compared to the earlier stages. Yvonne agreed so I thought I'd play about with it and see if I could address that problem.


Beaver Tail - First version


Beaver Tail - Corrected Version.

My friend Hap from near Seattle in Oregon knows many Native Americans and always says my skin colour isn't dark enough. My `corrections' are on the crude side but that is deliberate.

The main colour loaded on was Schminke Translucent Brown (Pbr41) with some Cerulean and Ultramarine Violet PV15) either Graham or Rowney.. The Schminke is a great colour and could easily replace Burnt Sienna. What do you think? Is it better or worse. I'm not sure although I agree the first version is on the dull side.




Friday, 22 March 2013

Another Indian.

Actually I've done this fellow before, an Apsorake Indian called Bull Goes Hunting. I know little about him nor could I find out anything.


16" x 12" Waterford 140lb (300gsm) Not

I  messed this painting up by overworking the hair and  almost binned it. That's where it will probably end up in any case but I was originally pleased with the face, so decided to try a `rescue'. This involved washing out much of the colour in the hair. I then let it dry and put in a few darks framing the face. It still isn't as I would have really liked it but enough is enough!.

The main difference in this painting was the use of the Schminke Translucent Brown (PBr41) to try and get a more authentic skin colour, something my friend Hap regularly pulls me up about. This was mixed with Cadmium Red Light and Yellow Ochre, plus Cerulean, in various proportions. There are probably small touches of other colours but I've forgotten which. Some Acrylic white was added at the end for highlights.

My usual brushes all Isabey except the Da Vinci Artissimo 44 No2.