I currently subscribe to the Watercolour Artist magazine and recently bought the latest quarterly edition of The Art of Watercolour. I'll explain why later
I had a short spell subscribing to this monthly magazine in 2014. and have recently renewed. My main gripe is we have to pay such a premium in the UK to get it. I get it from an online company. However each issue usually has a pre-paid card to subscribe direct. I won't go into details but it is much cheaper in the USA - I paid £4.25p plus postage - about half. Compared to The Art of Watercolour it is a smaller magazine of 72 pages with usually 6 articles and a number of columns. Artists like Ted Nugent and Fealing Lin have been featured in the past. Worth buying yes apart from the UK premium.
This is a glossy high quality production of 98 pages and is larger than the one above. When it was originally introduced I wrote a less than complimentary review of it. This provoked an anonymous post from some brave person who called me a moron. I had my suspicions it was a fairly high profile artist with whom I'd had a run in when he said Charles Reid recommended Escoda brushes. I pointed out I'd done several courses with CR and he always recommended DaVinci brushes. This didn't go down very well. Enough of that the reason I bought this copy, the 31st issue, was that Genevieve Buchanan a lovely lady I met on at least two Charles Reid workshops was featured. Genevieve has done lots more CR workshops than my five and also many others with artists like Alvaro Castagnet and John Yardley. It's obviously paid off.
I saw an advert for this issue, which a local newsagent stocks, they usually only have two or three at most. I think it cost me £6.25p which not much dearer than Watercolour Artist given there is no postage involved. To be honest it is a cut above but I had one other reason for my previous criticism and that was the elitist bent of the magazine. It seems mainly aimed at the higher levels of watercolour artists and if anyone disputes this then why run articles, at least one, with the theme of 'how to join the inner circle of watercolour artists'. As one might judge from that I'm very much against elitism.
Genevieve's piece is based on her flower painting, although she does other subjects. I cannot really recall how she painted when we did the CR workshops together. Her style now is exceedingly loose and I have mixed feelings. I try to follow Charles Reid's mantra, with mixed success, of 'small areas of detail , large areas of generality'. To my eyes what is missing here are the small areas of detail. However who I am, a struggling hobbyist, to say when she gets in this elite magazine and I get ......... Just kidding I know my limitations!
When I first started painting I bought Leisure Painter and The Artist magazines. Leisure Painter is very good for beginners. I recently discontinued The Artist as it seems to me to be in a rut and has very little on watercolour, certainly next to nothing on the amazing artists out there from other countries and continents. Perhaps I've just become more cynical as I'm now well into old age and realise it's a case of not falling off the perch rather than improving much. I asked a painter friend of mine, sadly now deceased, at what stage one stopped improving. His reply was it wasn't a case of improving but trying to stop the rot.
