Showing posts with label Pebeo Drawing Gum. Show all posts
Showing posts with label Pebeo Drawing Gum. Show all posts

Monday, 1 July 2013

Pebeo Drawing Gum

The use of making fluid isn't universal, with some artists for and many against. I don't have any hangups and am prepared to use anything if I feel it beneficial. Don't overdo it though. I have used it sporadically from time to time and a few months ago attended a Bathampton demo where the head of the Bath University Art Department gave a portrait demonstration. During it he mentioned Pebeo Drawing Gum, which he said was hard to find but was the best he had ever used. I'd never heard of it but soon realised he was talking about  masking fluid. Subsequently, although he said one of the Bath art shops stocked it, I found it in Jacksons catalogue. It is listed on page 54 of the latest catalogue under Watercolour Mediums.  The small container contains 45 ml and I found it best applied with a ruling pen. It costs £3.95p. 


Pebeo Drawing Gum and ruling pen. The pen is four inches long and the bottle less than 3 inches from top to bottom. Note the huge relative size of the top.

I am still not expert in it's use but am getting better and the application of masking fluid is one where practice makes perfect or at least acceptable! With the ruling pen you can get very thin lines and the control is excellent - becoming better as I become used to it.

We now come to the negative bit. If you spill any liquid either on clothing, carpets or anything else lookout! This stuff is lethal and I haven't found a satisfactory way of removing it. Other masking fluids may be similar but I think the problem is compounded here by the cap design. For some reason - probably cost - makers are changing many of their bottled products from the old - easy to remove - smallish metal screw tops to these plastic ones, which are much larger and have a lot of threads. This coincides with the change from glass to plastic. Winsor & Newton have done the same and my latest bottle of ox gall has a top that is almost impossible to remove. You can get it partially off which then causes it to leak. With the Pebeo I returned from a Bathampton session to find most had leaked in my carry bag, went through it and onto the carpet. The cap was on but had not fully clicked into place and the liquid went everywhere. At another session drips from the cap went onto my trousers and can't be removed. Also make sure it is absolutely dry before painting because otherwise it will ruin your brushes.

Is it worth buying? If you use masking fluid in small amounts then absolutely providing you are extremely careful when unscrewing the top and even applying it. Liquid also collects inside the rings of the top and can drip out when you take it off. Be very, very careful.

I have not been terribly active on the blog recently due to a combination of circumstances, illness (nothing really serious), holidays, and complications with our projected house move which has affected my focus. The holiday is over and the illness improving but the latter remains a problem, hopefully for not much longer.

Friday, 21 September 2012

Avon Valley Artists - Thursday 20 September

The subject this week was `Leaves and Berries etc', one of the more interesting subjects given the variety and colour usually available at this time of year. 


Once again attendance was low, with only ten members present, several still missing for various reasons. Later during the session Jan Weeks and Jean King called in, although neither painted today.



When Jan arrived she brought a painting she had been working on, using the blob of Quinacridone Purple I'd given her the previous week, and wanted to show me the result. Although her initial reaction had been that she wouldn't be adding it to her palette, she has had a change of heart after realising that it was more useful that first thought. Like Yvonne she had run out of the colour before finishing the painting. I offered her some more but Yvonne, who had received her tube from the SAA this week, had already done so. As they both ran out of the sample I gave them It's making me look mean! Still at £9.90 for a 15ml tube you can't afford to be overgenerous!  


Jan Weeks

Yvonne also brought in another painting incorporating some of the Daniel Smith colours and it is already on her blog with much useful information. www.watercolourflorals.blogspot.com/


Yvonne Harry. This illustration doesn't do it full justice - a lovely painting which is now on her blog. Neither illustration does full justice to the actual paintings.

 Yvonne Harry - utilising several Daniel Smith colours - unfinished

Other paintings from yesterday.

Robert Heal

Pat Walker

Gerald Pink

Myra Abbot (?)

Not sure?

My effort follows. The material came partially from my garden and the blackberries from just outside the hall.

My setup


The initial drawing. The dark spots are masking fluid. They are Pyracantha berries and I also put masking fluid on the blackberries. After the fluid was dry I wet large areas of the paper, which was fairly upright,  and put in diluted colour, which I allowed to mix and run. 

 Stage 2


Leaves & Berries - 16" x 12" Fabriano Artistico Extra White 140lb (300gm) Not 

Colours used were Cadmium Orange for the Pyracantha berries, Moonglow (Daniel Smith PG18/PB29/PR177) and Ivory Black for the Blackberries. Sap Green (PO49/PG7), Green Gold (Rowney PY129) and Hookers Green (Graham PG7/PY110)) for the leaves with a little Cobalt Teal Blue (DS PG50) in places. The coloured leaves at the bottom were a mixture of (mainly) Quinacridone Coral (DS PR209), Translucent Orange (Schminke PO71), Quinacridone Magenta (Rowney PV19 ) and Quinacridone Rose (Graham PV19). A word about Moonglow. I don't normally favour multi-pigment mixes and this colour has three. It is rather good though, so I've made an exception and I would add both Yvonne and Jan are fans of it.

A word about the use of masking fluid. I used the Pebeo Drawing Gum applied with a  ruling pen. I used it, primarily, on some - not all  - of the orange berries and also the blackberries. It takes a while to dry and  you need to be careful not to foul brushes with it, especially expensive sables. Really it should be left for an hour or two to dry thoroughly. It is easy to pick some up when you commence painting, particularly as noted if not fully dry.

Brushes used were the Escoda retractables, sizes 6, 8 and 10 plus the Rosemary retractable rigger.