This subject was brought to my mind after watching the latest BBC Springwatch programmes. In more than one programme - they run for several days consecutively - a weasel was shown taking young birds from nests, close to the ground it has to be said. Two nests near to each other were predated including one of Yellowhammers, sadly becoming quite a scarce bird. Of course this is nature and the weasel probably had young to feed - they are carnivores after all. I found an interesting photograph- two actually that I combined - and this is the result.
A Deadly Hunter - 16" x 12" Waterford High White 140lb (300gsm) not.
My aim with this painting, and indeed generally, is to have small areas of detail and large areas of generality. This is what Charles Reid teaches. Not as easy as it sounds and the tendency is, especially when painting from photographs, which is what I do, to become tighter. I think I've probably (mostly) achieved this with more recent paintings other than Portraits.
Colours were a variety of greens - Sap Green from Lukas, Green-Gold from Rowney plus Oxide of Chromium, with Transparent Brown (Schmincke), Raw Sienna, Quinacridone Gold (Daniel Smith) plus some Cerulean and Ultramarine Blue. Ultramarine Violet also features and Cobalt Violet. For the latter I used Lukas but this paint is greyish and very weak. There are other Cobalt Violets that I think are better, some more reddish such as Winsor & Newton.
I'm happy with the above as I achieved what I set out to do.