Thursday, 29 July 2010

Latest Indian Portraits

I'm still beavering away and here are the latest:

Big Bear Cree Chief 1895
Waterford 16" x 12" Rough

Big Bear was involved in the Riel rebellion of 1895 in Canada. He actually tried to prevent his followers from taking part but to no avail. He was captured and imprisoned for two years, dying one year after release. The painting depicts him after capture, actually in chains in the original full length photograph.

 
Wanduta Lakota Sioux. Waterford 16" x 12" Rough

This was my second attempt at Wanduta and I think it much better than the previous one on the blog.

Apache Warrior 1880's 16" x 12" Waterford Rough

This is better than  the previous one shown on the blog but I am still not entirely satisfied - not that I ever reach 100% satisfaction far from it - and may try again.

I painted the features with my usual mix of Cadmium Red  Light and Cadmium Yellow Light but actually used a colour new to me, Windsor and Newton's Gold Ochre (PY42). This was used quite a lot instead of Cad Yellow and Raw Sienna. I rather like it. It is a rich golden yellow and was introduced in W and N's most recent changes to their colour range. Blues used were Cobalt, quite a lot of Ultramarine and a little Cerulean. I used the Ultramarine to get a darker face mix. Notice `Waterford Rough'. I normally use NOT papers but these Indian portraits do seem to suit it. On the Apache portrait I introduced Quinacridone Rust from Graham (PO48) in the clothing on the right hand side. It is rather brighter than Burnt Sienna - a lovely colour. Other colours used, other than in the features, include Ultramarine Violet (PV15 Rowney), Burnt Umber (Maimeri), Quinacridone Gold (PO49 Maimeri) and Permanent Alazarin (W and N). I forget to mention a touch of Hookers Green in the eye sockets and Black for the pupils.

As for brushes for the features I used two long handled Windsor and Newton Cirrus, Nos 2 and 4, Either Da Vinci or Rosemary Kolinsky No.6, and for the rest my Da Vinci Artissimo 44 No 2 Kolinsky Mop. This latter is a lovely brush roughly equivalent in size to a normal number 14. I also paint fairly upright.

3 comments:

Mick Carney said...

These are getting better all the time. The first one, I think, is your best yet. The face has a feeling of truth about it that is so difficult to achieve.

bvjittison said...

Hi Peter, have you seen the watercolors of David Howell?
http://www.davidhowell.co.uk/Gallery.htm

He's a member of the Royal Society of Marine Painters

I was reading a list of artists that you like and follow, I came across Howell's work when studying marine painting.

thanks for posting this blog, respectfully, Jim Kendall

Peter Ward said...

Thanks for comments Jim. I think I know this artist.There are so many good ones out there.