Chief Washington - Second Try

Not being really satisfied with my first attempt at Chief Washington I thought I'd have another try. I decided not to be too hung up over how close the resemblance was and re-visited one of my favourite Charles Reid books `The Natural Way to Paint'. When I told Charles this was one of my favourites he seemed surprised but I can only say the chapter on features is one I've studied many times.

Chief Washington 16" x 12" Fabriano Extra White Artistico 140lb (300gsm) not

I approached the previous version in a different way to my normal practice and this is even more `way out' if that's the right word. Actually I'm somewhat apprehensive about possible reactions. These Indian portraits are tough using these old monochrome photographs, with so much detail obscured and I find it hard to know what to do with these `missing' areas. 

Skin colours were Burnt Sienna, Raw Umber and Cobalt Blue/ Cerulean. Also some Cadmium Red and Translucent Brown. The hair was a mixture of Ultramarine Blue, Raw Umber and Burnt Sienna. His clothes are Raw Umber and some Gold Ochre.

I only used three brushes, the Isabey No 6 retractable for the features and the Escoda Kolinsky retractables sizes 8 and 10.   

I don't suggest for one moment that this is good just an experimental painting trying different ways of tackling this subject. I won't be posting much this month as we're moving home on the 10th, and also going on holiday on the 13th for a week. I didn't anticipate that these things would be so close together but that's how it has worked out.  As a result I'll be offline until at least the 23rd when my cable company are scheduled to install broadband et al in my new home. 

Chief Washington

After the mixed - very mixed - response to my Beaver Tail portrait I thought I'd try another this week. The subject is Chief Washington of the Coquilles, who took part in the Rogue River War in the Pacific Northwest. The guide photo shows him with a very bitter expression. I suspect it was taken against his will while in captivity. When I `googled' him all I got was a reference to a `Chief Seattle', who was obviously a different person, but referring to a book called  `Indian Wars of the Pacific Northwest' by Ray Glassley, there were two short references. Before starting our AVA leader Yvonne suggested I try to impart more colour into my Indian portraits rather than copy the rather dull sepia monotones of these original photographs which she thought were inclining to look `dirty'. Yvonne suggested I find some colour photographs of Amerindians so I get a better idea of the skin colours. My friend Hap always says mine are not dark enough. In view of the comments I've had I thought it worthwhile to show the guide photo - very, very dark. 

Chief Washington 16" x 12" Fabriano Artistico Extra White  300gsm not

I think you can  easily see the colours I've introduced, if you compare it with the previous portrait, which include brighter yellows and Quinacridone Burnt Orange (Daniel Smith PO48). I also used more Cadmium Red mixed with a little Raw Umber for the skin tones, Cerulean or Cobalt Blue to darken , and Translucent Brown (Schminke PBr41). The hair is various mixes of Ultramarine Blue with either Translucent Brown or Burnt Sienna. It is on the rough side but I persist in my creed of `being cruder' espoused by Charles Reid. This will make the perfectionists blanch  but I will keep trying if still some way from producing work I am completely happy with. My wife took one look at it and said she preferred the previous one! This was very much experimental and I shall have to ponder how to approach the next one.

Brushes used were the Isabey retractable Size 6 for the facial detail and the Escoda sizes 8 and 10 Kolinsky retractables for the rest.