Thursday, 15 October 2015

Watercolour Paintings (10)

Another varied batch of watercolour paintings, again from a mix of artists well-known and not so well-known. Hope you like them.


Trevor Lingard - superb British artist

Charles Reid  - the maestro


Milind Mulick - what more can one say?


Catherine Rey - a recent find, love her work


Stan Miller - wow!  


Gerard Hendriks - wonderful use of colour


Alvaro Castagnet  


Bev Jozwiak - one of my favourites


Burhan Ozer - enough said


Diann C Benoit - a terrific artist with a wide range



Gerda Mertens - the Belgian artist who has a way with trees


Guy Legendre


Janine Galizia - a wonderful artist associated with `The Art of Watercolour' magazine


Julie Gillard Pollard


Kees Van Aalst - the master of abstraction

FOR EXTENSIVE INDEX SEE JUNE 2014




Wednesday, 7 October 2015

Book review - PAINTING in VENICE

This is an unusual book as it as about painting purely in Venice. Venice is one of the most beautiful cities in the World, partly due to the absence of  motor vehicles. It has many other qualities and surely is the most painted city in the World. I've been three times, briefly on two occasions, the last on a small  ship which cruised the Venice lagoons including a trip to Chioggia, another favourite artists location. At night and on a couple of days we moored up just along from the main square so were able to explore the city. All is not well however as depopulation has been steadily taking place, and if you venture much beyond the central area signs of dereliction are evident. They are trying to reverse this process and bring people back to the city.



Approx. 91/2"  x 101/2" 96 pages Softback Price. £24 + £3.20postage. Available only  from Judi at judi@watercolour.co.uk or see www.watercolour.co.uk

I should explain I'm not entirely impartial when it comes to Judi. I've known Judi and Pete for some years having done several workshops with her both in the Cotswolds and at Crantock bay in Cornwall. We were also fellow students on a 10 day Charles Reid EPC workshop in Catalonia. Both my wife and Pete were there as non- painting partners and it worked both as an enjoyable and informative workshop as well as a holiday This also applied to Crantock Bay which my wife loved, again as a non-painting partner, and Pete was the course organizer. Sadly Crantock is no more. Many happy memories. My two biggest influences have been Judi, Charles Reid with Gerard Hendriks more recently. One comment she made at Crantock has remained in my memory `if you take one thing from this course then it will have been worthwhile'. Very true.

How do I describe this book? It is a very personal one that reflects Judi's love affair with Venice.There is a foreword by Charles Reid followed by 10 chapters plus a unique map of  viewpoints,that are identified and described throughout the book. Included are 96 original paintings and much information on what to do, where to paint and other information simply not available elsewhere. Quite apart from the Venice aspect her experiences as an artist over many years, and what she has learned, are in this book  If you are intending to paint in Venice, whatever your medium, I would think this book is unique and possibly essential. Whenever I've been there there are always artists at work and large numbers make annual trips. 

Apart from the subject there is lots more other information, mostly reflecting Judi's unique style and way of working and many. many tips regarding paints, developing your own individual style and so on. What more can I say?

This book is self produced by Judi and printed by Short Run Press Limited. It will have a limited print run so could easily become a collectors item. I know of no other book like it. Yes the price is high for a softback of 96 pages but this is explained by my previous comments. 

I've received a request for some illustrations from the book. Allowing for my amateur photography  here are some. I might add having seen a large number of Judi's original paintings, both at exhibitions amd workshops,  I've always felt that reproductions in magazines and books don't do them full justice.






Judi & Peter Whitton in Venice yesterday - photographed by Mick Carney who just happens to be there. 













Friday, 2 October 2015

Seed Heads

This was the subject at the AVA session yesterday. Numbers were light with only eleven members present but some interesting paintings ensued. In our halcyon days we had as many as twenty four but alas with ageing members this is no more. Painting groups that meet during the day tend to have much older members with younger ones, who are working, opting for evening groups.


Yvonne Harry



Jan Weeks


Pat Walker


Myra


Peter Ward




That's it folks. Next weeks subject is water.


Tuesday, 29 September 2015

Painting VENICE by Judi Whitton

Just announced a new book, her third, by Judi Whitton. I had intended to go straight into a review but this has been delayed so here are brief details. A review will appear soon.


Softback. Approx. 91/2 by 10 1/2 inches 96 pages £24 plus £3.20p postage- Watercolour Publishing 

Briefly this is about painting in Venice packed with advice on where to paint and how to paint. More information can be obtained from www.watercolour.co.uk or e-mail Judi at judi@watercolour.co.uk

This book is self published and is a limited edition. I will have a lot more to say about it soon.

Thursday, 24 September 2015

Watercolour Paintings (9)

Here are the latest paintings I've selected. Artists well, known, indeed World famous, and not so well-known. Hope you like the selection.



Fealing Lin the fabulous American/Chinese artist


Milind Mulick - brilliant colourist -enough said!


Catherine Rey. I've recently become aware of this artist and I like her work very much.


Andrew Borg


Burhan Ozer - another great artist of the current era.


Another from Catherine Rey


David Poxon


David Taylor - one of the top Australians


Diann C Benoit - always interesting


Dusan Djukaric


Edo Hannema



Gerard Hendriks - one of my favourites


Jon Whorf


Jonathan Kwegyir Aggrey - an Internationally acclaimed young African artist


Kaye Parmenter - I met Kaye some years ago when she had an exhibition at a gallery in Wells, Somerset


My aim is to have a mixture of styles just to show the huge variety achievable with watercolour. I admire many of these paintings but in general my personal taste runs to paintings of a realistic nature with a loose approach. I also am addicted to colour.

Tuesday, 22 September 2015

Giraffes

I managed to finish the `Giraffes' painting with a minimum of fuss, which is how I like it. Others may consider it unfinished but I'm not keen on `finished' paintings, preferring to leave something to the imagination. Interesting animals to paint, the main problem I encounter is being able to do a looser painting when the intricate markings lend themselves to a more realistic approach. There is also a tendency on my part to use small brushes, which is something I try and resist.  


"16 x 12" Arches Hot Press 140lb

Colours were  Schminke Translucent Brown (Pbr41), Cerulean Blue, Ultramarine Violet (PV15), Quinacridone Gold (Daniel Smith), Quinacridone Rust (Graham), Burnt Umber and Raw Sienna.



Avon Valley Artists - New Season

The AVA is now back with our Autumn/Winter schedule, meeting as usual in St Mary's Church Hall in Saltford Village.






`Down the Lane' -16" x 12" Centenaire 140lb not

The official opening of the new session was actually two weeks ago but this was the first occasion I was able to go. Overall  the results were not very exciting as we are yet to get into our stride but that's only my personal opinion. My own effort fits the `unexciting' comment and I did approach it with little enthusiasm. Nothing more to say really. This week the subject is wildlife but I'm not sure if I'll be able to go as I have an appointment at the health centre - nothing serious I might add.  If possible I shall go even if a little late.