Wednesday, 19 July 2017

Latest Amerindian Studies

Here are my latest Amerindian studies. Mostly on Waterford High White, all 16" x 12". Two other failures I've not posted but I'm reasonably happy with the ones below, although I prefer the female ones.



16" x 12" Waterford. Young Amerindian Woman

American Indians are not one homogenous type. They vary enormously both in physical characteristics - from quite tall to short - and skin colour, some very dark, others much lighter. This is a particularly attractive young lady, at least in white terms. I've no idea what tribe she belongs to. The painting above has been modified from the original posted on Facebook. The left facing eye wasn't right and I also softened a few hard lines. This is a definite improvement.




16" x 12" Amerindian Woman - Waterford High White

I quite like this one. Posted on my Portrait Facebook page it hasn't attracted much in the way of likes but this happens to me all the time, while others sometimes get hundreds. My fate to be unrecognised - just a joke!



16" x 12" Amerindian Woman - Waterford High White

This one and that immediately above was about  not spending much time on the hair, which both subjects had in abundance, in an attempt to vary the way I tackle the subject. I used the guide photos as just that - guides - and tried to capture certain characteristics, mainly the eyes but in a less formal way. You can get bogged down with  hair and Charles Reid always says don't!




Crow Chief White Bear - Waterford High White



Santee Sioux - Moldau 130lb - unfinished

This one and that above are notable for the topknots. The Santee Sioux example is unfinished and I don'y know whether I'll do any more with it The Santee Sioux lived in Minnesota. The pressure of white settlement caused them to rise up in 1863 and attempt to exterminate the white population. Many hundreds of mainly settler men,  women and children were killed in the most brutal way, but eventually they were defeated and the perceived ringleaders hanged, although some sentences were commuted. As usual there are different views on the rights and wrongs of what happened. The main chief Little Crow was later killed with his son when gathering berries in a forest where they were hiding.  The remnants were driven from Minnesota. One notorious minor chief
called Inkpaduta, notorious for the so-called Spirit Lake massacre, travelled hundreds of miles with his small following and gained refuge with the plains Sioux. Reputedly he was at the Little Big Horn in 1876 when Custer and his command were wiped out.

Painting these subjects I mainly used my small Craig Young painting box with Cadmium Red, Raw Sienna, Cerulean and Ultramarine Blue, in different combinations, the principal colours. Brushes are my Isabey No 6 Travel Brush and Isabey Sables 4,6 and 8. Also started introducing the Escoda Kolinsky sable Size 14 principally for the hair. My Guru Charles Reid always says don't spend too much time on the hair. As for paper  my choice is the Waterford High White blocks. As a block they hold together much better than say Fabriano. You may notice I used Moldau on the Santee Sioux. I purchased 40 sheets at great expense and effort a while back and thought I needed to use them. They are only 130lb and supposedly A3 but are slightly smaller especially in width. They do buckle noticeably. I have stretched in the past but am reluctant to do it again. I have quite a lot of paper accumulated over the years in sheets. Various types with Waterford original in the majority but quite a few other makes. I now much prefer the Waterford blocks but will have to use this other stuff as well.



Sunday, 16 July 2017

Latest Paintings

Here are my latest efforts, although since I've done several more, some of which I'll post soon. Actually I've had them hanging around for a little while so thought, for want of something better, to post them. The first subject is "Blue Thunder' subtitled 'Custers Scout',. I'd never heard of this guy until recently when I came across the photo from which the painting was produced. This was taken around 1900  when he was fairly elderly. According to what I could find he was a Santee Sioux and was a scout initially in the 1860s at the time of the so- called Fetterman massacre at Fort Phil Kearney. He wasn't with Custer at the Little Big Horn which was lucky for him.
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Early Stages - pencil drawing followed by painting the eyes, nose and mouth.



Blue Thunder - 16" x 12" Waterford High White.







A simple Landscape _ an AVA subject at a Thursday session.




Crow Warrior - 16" x 12" Waterford.

Friday, 7 July 2017

Perylene Green & Perylene Violet from Schmincke

The recent upgrade from Schmincke introduced 35 new colours. I have briefly covered them elsewhere but decided to try a couple.They are  currently £9.00 for 15ml tubes from Jacksons, In addition I recently bought Warm Sepia from Daler Rowney. Why this one? Both  John Blockley and John Yardley have mentioned Warm Sepia so I have assumed this is the Daler Rowney paint as nobody else, as far as I know, use this name. 






The swatches on the left are Perylene Green, those on the right Violet with the Warm Sepia bottom right. None of these colours painted out that well but I think the paper is at fault, just an old piece of unknown provenance, so don't damn them on the basis of the above.

Perylene Green (PBk31) was first introduced by Holbein as 'Shadow Green' Subsequently both Winsor &Newton and Daniel Smith introduced  'Perylene Green' - the pure pigment. Apparently the Holbein contains a black so isn't a single pigment paint.

For a brief description from the Art of Pigment database see the post on Schminckes new paints in April.

Perylene Green is a very dark blackish green - almost black in masstone so could be good for backgrounds. Rather dull  so I'm not sure where this might fit in.

Perylene Violet (PV29) is a new pigment and when I gave Yvonne from my painting group both to try, she initially though it very like some Burnt Siennas.When diluted it does show a violet shade and in this form might be good for portraits. These are only initial thoughts others may differ. Yvonne thought the Green more interesting.

Are they worth adding to ones palette? That, as always, is a personal decision but I have my doubts in the case of the Violet. The green perhaps needs playing around with.

As for 'Warm Sepia', another dull colour, I'm not so sure. A three pigment mix?